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Biographies

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tederheden
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Riek Westerhof on her "Duochord"

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Riek Westerhof
"Music as a philospophy of life" - Playing the piano since her sixth year, Riek started composing as a different way to express her thoughts; in music rather than in words.She has studied with John Cage and keeps learning from Eric Satie's work. Her pieces invite to listen to the environment: she catches you by surprise, performing in public places like shopping or congress centers (Magna Plaza, Amsterdam 1997), or in a grass field in between highways, accompagnied by a chorus of frogs (Utrecht 1998).

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je kan op dezelfde muziek
een andere tekst zetten................
[ of andersom ] [ ach je verstaat toch niks van wat ze zingen ] [ meelezen ]

Radboud Mens http://radiantslab.com/rat/
After finishing artschool and a study in audio-art/sonology in 1993, Radboud concentrated on the making of experimental music.He used broken down hi-fi equipment and found records, that he played with several needles at the same time, proccesing the sound with effects."Records are not music but records; objects I can use to create music" Nowadays he works mainly with computers, samples and effect processors.

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het sprookje heet : de vrije tijd
het begint met :
" eens was er tijd......een tijd ....."

Isabelle Jenniches http://www.media-gn.nl/mfa/isabelle
After her study of scenography at the Academie of Applied Arts in Vienna, Isabelle is now finishing a postgraduate program for new media at Media-Gn in Groningen. Always her theatre spaces have been defined by light, sound and moving bodies; in her recent works she uses live video and telecommunication techniques to investigate in the dramatic presence of virtual performers.

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eigenaardig hoe de klanken van de taal
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Karen Levi
Studied in Israel at the school of the Kibbutz Dance Company, where she also danced for four years. Afterwards, Karen worked with the Batshewa Ensemble and is now freelancing in Europe. She started to do her own choreographic work in Amsterdam, where it's been presented in the Danswerkplaats, de Melkweg and recently in the CaDanse festival.In her dances she likes to interweave all the elements of the theatre space to create an atmosphere that corresponds with the movement composition.

I 004 I I	*Biographies*
I 123 I I I I I I I I I I I I I I I 601 I I 643	tederheden uitputten in lust	Riek Westerhof on her "Duochord"
I I I I 814 I I I I	Riek Westerhof "Music as a philospophy of life" - Playing the piano since her sixth year, Riek started composing as a different way to express her thoughts; in music rather than in words.She has studied with John Cage and keeps learning from Eric Satie's work. Her pieces invite to listen to the environment: she catches you by surprise, performing in public places like shopping or congress centers (Magna Plaza, Amsterdam 1997), or in a grass field in between highways, accompagnied by a chorus of frogs (Utrecht 1998).
I 956 I 1002 I 1014 I I 1101 I I I I 1228	je kan op dezelfde muziek een andere tekst zetten................ [ of andersom ] [ ach je verstaat toch niks van wat ze zingen ] [ meelezen ] Radboud Mens http://radiantslab.com/rat/ After finishing artschool and a study in audio-art/sonology in 1993, Radboud concentrated on the making of experimental music.He used broken down hi-fi equipment and found records, that he played with several needles at the same time, proccesing the sound with effects."Records are not music but records; objects I can use to create music" Nowadays he works mainly with computers, samples and effect processors.
I 1234 I I I I I I I I I	het sprookje heet : de vrije tijd het begint met : " eens was er tijd......een tijd ....." Isabelle Jenniches http://www.media-gn.nl/mfa/isabelle After her study of scenography at the Academie of Applied Arts in Vienna, Isabelle is now finishing a postgraduate program for new media at Media-Gn in Groningen. Always her theatre spaces have been defined by light, sound and moving bodies; in her recent works she uses live video and telecommunication techniques to investigate in the dramatic presence of virtual performers.
I 1615 I I I 1702 I 1705 I 1724 I I I I I 1918 I I I 2023 I I I I I I I I I I 2359	eigenaardig hoe de klanken van de taal het lichaam in rep en roer kunnen brengen Karen Levi Studied in Israel at the school of the Kibbutz Dance Company, where she also danced for four years. Afterwards, Karen worked with the Batshewa Ensemble and is now freelancing in Europe. She started to do her own choreographic work in Amsterdam, where it's been presented in the Danswerkplaats, de Melkweg and recently in the CaDanse festival.In her dances she likes to interweave all the elements of the theatre space to create an atmosphere that corresponds with the movement composition.